For reasons born of this experience, he let the thing go by.
But, since Mr. Leigh Hunt′s death, the statement has been revived in England. The delicacy and generosity evinced in its revival, are for the rather late consideration of its revivers. The fact is this:
Exactly those graces and charms of manner which are remembered in the words we have quoted, were remembered by the author of the work of fiction in question, when he drew the character in question. Above all other things, that "sort of gay and ostentatious wilfulness" in the humouring of a subject, which had many a time delighted him, and impressed him as being unspeakably whimsical and attractive, was the airy quality he wanted for the man he invented. Partly for this reason, and partly (he has since often grieved to think) for the pleasure it afforded him to find that delightful manner reproducing itself under his hand, he yielded to the temptation of too often making the character SPEAK like his old friend. He no more thought, God forgive him! that the admired original would ever be charged with the imaginary vices of the fictitious creature, than he has himself ever thought of charging the blood of Desdemona and Othello, on the innocent Academy model who sat for Iago′s leg in the picture. Even as to the mere occasional manner, he meant to be so cautious and conscientious, that he privately referred the proof sheets of the first number of that book to two intimate literary friends of Leigh Hunt (both still living), and altered the whole of that part of the text on their discovering too strong a resemblance to his "way".
He cannot see the son lay this wreath on the father′s tomb, and leave him to the possibility of ever thinking that the present words might have righted the father′s memory and were left unwritten. He cannot know that his own son may have to explain his father when folly or malice can wound his heart no more, and leave this task undone.
THE TATTLESNIVEL BLEATER
The pen is taken in hand on the present occasion, by a private individual (not wholly unaccustomed to literary composition), for the exposure of a conspiracy of a most frightful nature; a conspiracy which, like the deadly Upas-tree of Java, on which the individual produced a poem in his earlier youth (not wholly devoid of length), which was so flatteringly received (in circles not wholly unaccustomed to form critical opinions), that he was recommended to publish it, and would certainly have carried out the suggestion, but for private considerations (not wholly unconnected with expense).
The individual who undertakes the exposure of the gigantic conspiracy now to be laid bare in all its hideous deformity, is an inhabitant of the town of Tattlesnivel—a lowly inhabitant, it may be, but one who, as an Englishman and a man, will ne′er abase his eye before the gaudy and the mocking throng.
Tattlesnivel stoops to demand no championship from her sons. On an occasion in History, our bluff British monarch, our Eighth Royal Harry, almost went there. And long ere the periodical in which this exposure will appear, had sprung into being, Tattlesnivel had unfurled that standard which yet waves upon her battlements.
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