HomeCharles DickensBarnaby Rudge

Barnaby Rudge. Charles Dickens

′I am not what you take me for, Gabriel Varden,′ replied the other.

′Then what and who are you?′ returned the locksmith. ′You know my name, it seems. Let me know yours.′

′I have not gained the information from any confidence of yours, but from the inscription on your cart which tells it to all the town,′ replied the traveller.

′You have better eyes for that than you had for your horse, then,′ said Varden, descending nimbly from his chaise; ′who are you? Let me see your face.′

While the locksmith alighted, the traveller had regained his saddle, from which he now confronted the old man, who, moving as the horse moved in chafing under the tightened rein, kept close beside him.

′Let me see your face, I say.′

′Stand off!′

′No masquerading tricks,′ said the locksmith, ′and tales at the club to-morrow, how Gabriel Varden was frightened by a surly voice and a dark night. Stand—let me see your face.′

Finding that further resistance would only involve him in a personal struggle with an antagonist by no means to be despised, the traveller threw back his coat, and stooping down looked steadily at the locksmith.

Perhaps two men more powerfully contrasted, never opposed each other face to face. The ruddy features of the locksmith so set off and heightened the excessive paleness of the man on horseback, that he looked like a bloodless ghost, while the moisture, which hard riding had brought out upon his skin, hung there in dark and heavy drops, like dews of agony and death. The countenance of the old locksmith lighted up with the smile of one expecting to detect in this unpromising stranger some latent roguery of eye or lip, which should reveal a familiar person in that arch disguise, and spoil his jest. The face of the other, sullen and fierce, but shrinking too, was that of a man who stood at bay; while his firmly closed jaws, his puckered mouth, and more than all a certain stealthy motion of the hand within his breast, seemed to announce a desperate purpose very foreign to acting, or child′s play.

Thus they regarded each other for some time, in silence.

′Humph!′ he said when he had scanned his features; ′I don′t know you.′

′Don′t desire to?′—returned the other, muffling himself as before.

′I don′t,′ said Gabriel; ′to be plain with you, friend, you don′t carry in your countenance a letter of recommendation.′

′It′s not my wish,′ said the traveller. ′My humour is to be avoided.′

′Well,′ said the locksmith bluntly, ′I think you′ll have your humour.′

′I will, at any cost,′ rejoined the traveller. ′In proof of it, lay this to heart—that you were never in such peril of your life as you have been within these few moments; when you are within five minutes of breathing your last, you will not be nearer death than you have been to-night!′

′Aye!′ said the sturdy locksmith.

′Aye! and a violent death.′

′From whose hand?′

′From mine,′ replied the traveller.

With that he put spurs to his horse, and rode away; at first plashing heavily through the mire at a smart trot, but gradually increasing in speed until the last sound of his horse′s hoofs died away upon the wind; when he was again hurrying on at the same furious gallop, which had been his pace when the locksmith first encountered him.

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