Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.′ Thus (and much more) Bitzer.
′Now girl number twenty,′ said Mr. Gradgrind. ′You know what a horse is.′
She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antennae of busy insects, put his knuckles to his freckled forehead, and sat down again.
The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people′s too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.
′Very well,′ said this gentleman, briskly smiling, and folding his arms. ′That′s a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?′
After a pause, one half of the children cried in chorus, ′Yes, sir!′ Upon which the other half, seeing in the gentleman′s face that Yes was wrong, cried out in chorus, ′No, sir!′ - as the custom is, in these examinations.
′Of course, No. Why wouldn′t you?′
A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn′t paper a room at all, but would paint it.
′You must paper it,′ said the gentleman, rather warmly.
′You must paper it,′ said Thomas Gradgrind, ′whether you like it or not. Don′t tell us you wouldn′t paper it. What do you mean, boy?′
′I′ll explain to you, then,′ said the gentleman, after another and a dismal pause, ′why you wouldn′t paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality - in fact? Do you?′
′Yes, sir!′ from one half. ′No, sir!′ from the other.
′Of course no,′ said the gentleman, with an indignant look at the wrong half. ′Why, then, you are not to see anywhere, what you don′t see in fact; you are not to have anywhere, what you don′t have in fact. What is called Taste, is only another name for Fact.′ Thomas Gradgrind nodded his approbation.
′This is a new principle, a discovery, a great discovery,′ said the gentleman. ′Now, I′ll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?′
There being a general conviction by this time that ′No, sir!′ was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.
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