′I may tell the Dean—I call expressly from the Dean—that you are all right again?′
The reply, with a slight smile, is: ′Certainly; with my respects and thanks to the Dean.′
′I′m glad to hear that you expect young Drood.′
′I expect the dear fellow every moment.′
′Ah! He will do you more good than a doctor, Jasper.′
′More good than a dozen doctors. For I love him dearly, and I don′t love doctors, or doctors′ stuff.′
Mr. Jasper is a dark man of some six-and-twenty, with thick, lustrous, well-arranged black hair and whiskers. He looks older than he is, as dark men often do. His voice is deep and good, his face and figure are good, his manner is a little sombre. His room is a little sombre, and may have had its influence in forming his manner. It is mostly in shadow. Even when the sun shines brilliantly, it seldom touches the grand piano in the recess, or the folio music-books on the stand, or the book-shelves on the wall, or the unfinished picture of a blooming schoolgirl hanging over the chimneypiece; her flowing brown hair tied with a blue riband, and her beauty remarkable for a quite childish, almost babyish, touch of saucy discontent, comically conscious of itself. (There is not the least artistic merit in this picture, which is a mere daub; but it is clear that the painter has made it humorously- -one might almost say, revengefully—like the original.)
′We shall miss you, Jasper, at the "Alternate Musical Wednesdays" to-night; but no doubt you are best at home. Good-night. God bless you! "Tell me, shep-herds, te-e-ell me; tell me-e-e, have you seen (have you seen, have you seen, have you seen) my-y-y Flo- o-ora-a pass this way!"′ Melodiously good Minor Canon the Reverend Septimus Crisparkle thus delivers himself, in musical rhythm, as he withdraws his amiable face from the doorway and conveys it down- stairs.
Sounds of recognition and greeting pass between the Reverend Septimus and somebody else, at the stair-foot. Mr. Jasper listens, starts from his chair, and catches a young fellow in his arms, exclaiming:
′My dear Edwin!′
′My dear Jack! So glad to see you!′
′Get off your greatcoat, bright boy, and sit down here in your own corner. Your feet are not wet? Pull your boots off. Do pull your boots off.′
′My dear Jack, I am as dry as a bone. Don′t moddley-coddley, there′s a good fellow. I like anything better than being moddley- coddleyed.′
With the check upon him of being unsympathetically restrained in a genial outburst of enthusiasm, Mr. Jasper stands still, and looks on intently at the young fellow, divesting himself of his outward coat, hat, gloves, and so forth. Once for all, a look of intentness and intensity—a look of hungry, exacting, watchful, and yet devoted affection—is always, now and ever afterwards, on the Jasper face whenever the Jasper face is addressed in this direction. And whenever it is so addressed, it is never, on this occasion or on any other, dividedly addressed; it is always concentrated.
′Now I am right, and now I′ll take my corner, Jack. Any dinner, Jack?′
Mr. Jasper opens a door at the upper end of the room, and discloses a small inner room pleasantly lighted and prepared, wherein a comely dame is in the act of setting dishes on table.
′What a jolly old Jack it is!′ cries the young fellow, with a clap of his hands. ′Look here, Jack; tell me; whose birthday is it?′
′Not yours, I know,′ Mr.
© e-libr.com
feedback