HomeCharles DickensTom Tiddler′s Ground

Tom Tiddler′s Ground. Charles Dickens

Traveller found by stopping for a new direction at this farm-house or at that cottage as he went along, with how much accuracy the morbid Mopes had counted on the weakness of his neighbours to embellish him. A mist of home-brewed marvel and romance surrounded Mopes, in which (as in all fogs) the real proportions of the real object were extravagantly heightened. He had murdered his beautiful beloved in a fit of jealousy and was doing penance; he had made a vow under the influence of grief; he had made a vow under the influence of a fatal accident; he had made a vow under the influence of religion; he had made a vow under the influence of drink; he had made a vow under the influence of disappointment; he had never made any vow, but "had got led into it" by the possession of a mighty and most awful secret; he was enormously rich, he was stupendously charitable, he was profoundly learned, he saw spectres, he knew and could do all kinds of wonders. Some said he went out every night, and was met by terrified wayfarers stalking along dark roads, others said he never went out, some knew his penance to be nearly expired, others had positive information that his seclusion was not a penance at all, and would never expire but with himself. Even, as to the easy facts of how old he was, or how long he had held verminous occupation of his blanket and skewer, no consistent information was to be got, from those who must know if they would. He was represented as being all the ages between five-and-twenty and sixty, and as having been a hermit seven years, twelve, twenty, thirty,—though twenty, on the whole, appeared the favourite term.

"Well, well!" said Mr. Traveller. "At any rate, let us see what a real live Hermit looks like."

So, Mr. Traveller went on, and on, and on, until he came to Tom Tiddler′s Ground.

It was a nook in a rustic by-road, which the genius of Mopes had laid waste as completely, as if he had been born an Emperor and a Conqueror. Its centre object was a dwelling-house, sufficiently substantial, all the window-glass of which had been long ago abolished by the surprising genius of Mopes, and all the windows of which were barred across with rough-split logs of trees nailed over them on the outside. A rickyard, hip-high in vegetable rankness and ruin, contained outbuildings from which the thatch had lightly fluttered away, on all the winds of all the seasons of the year, and from which the planks and beams had heavily dropped and rotted. The frosts and damps of winter, and the heats of summer, had warped what wreck remained, so that not a post or a board retained the position it was meant to hold, but everything was twisted from its purpose, like its owner, and degraded and debased. In this homestead of the sluggard, behind the ruined hedge, and sinking away among the ruined grass and the nettles, were the last perishing fragments of certain ricks: which had gradually mildewed and collapsed, until they looked like mounds of rotten honeycomb, or dirty sponge. Tom Tiddler′s ground could even show its ruined water; for, there was a slimy pond into which a tree or two had fallen—one soppy trunk and branches lay across it then—which in its accumulation of stagnant weed, and in its black decomposition, and in all its foulness and filth, was almost comforting, regarded as the only water that could have reflected the shameful place without seeming polluted by that low office.

Mr.

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